BOOK: Masters of the Plectrum Guitar
Saturday, January 16, 2010 at 11:42PM The pre-bebop styles of block-chord solos and solo guitar chord melody are almost completely lost arts. There are few living practitioners, and few resources to learn from. However, there is one book out there which is still in print that provides a great deal of insight, as well as a multitude of transcriptions:
Masters of the Plectrum Guitar (Mel Bay)
Transciptions of Eddie Lang, Carl Kress, Dick McDonough, George M. Smith, Carmen Mastren, and Tony Mattola, as well as couple duet pieces. Modern technology also provides you the opportunity to check out the book before you by it at Google Books.
Masters of the Plectrum Guitar (Google Books Preview)
I particularly suggest taking a look at the full transcription of "Sutton Mutton" by Carl Kress on pgs. 42-45. I still haven't gotten around to learning the slow section, but I love the first section, and it's often the first thing I play when testing out an acoustic archtop. Thanks to Mike Faltesek for bringing it to my attention.

Reader Comments (13)
First - thanks for getting the blog going again --- lots of useful information and you are very kind to share it. You should write a book. I'd buy it.
Second -- I thought a plectrum guitar has 4 strings and often had different tunings ... seems like most of the pictures and all songs in the book are 6 string, standard tuning ... any thoughts/insignts/comments ?
Thanks again for all your efforts.
Hey brother! I got that whole thing down and also finished Stage Fright. You gotta learn that one too so we can rock the duets mcdunough/kress style
I think it just means that you are to use a pick (plectrum) and not fingerstyle.
Yes ... a plectrum is a pick, but a plectrum guitar is (from what I can tell by reading about) is a guitar with 4 strings, similiar to a tenor guitar. From what I have read is that these guitars were often tuned to banjo tuning too (what ever a banjo tuning is ?). It's kind of interesting because I kind of always viewed these three note early swing chords (freddie green chords, 3 note dead strings etc. -- what ever they are called ..) as phased that way so that they provide a strong back without interfering with the solo instruments at higher pitches; I had never realized that these chords might have first existed for a much more practical reason -- you only had 4 strings to work with in the. It would be interesting to see if with a different tuning and only 4 strings that maybe some of these early changes also have real finger movement reasons for why the changes work.
Yes ... a plectrum is a pick, but a plectrum guitar is (from what I can tell by reading about) is a guitar with 4 strings, similiar to a tenor guitar. From what I have read is that these guitars were often tuned to banjo tuning too (what ever a banjo tuning is ?). It's kind of interesting because I kind of always viewed these three note early swing chords (freddie green chords, 3 note dead strings etc. -- what ever they are called ..) as phased that way so that they provide a strong back without interfering with the solo instruments at higher pitches; I had never realized that these chords might have first existed for a much more practical reason -- you only had 4 strings to work with in the. It would be interesting to see if with a different tuning and only 4 strings that maybe some of these early changes also have real finger movement reasons for why the changes work.
H Hansen -
The "Plectrum" of "Masters of Plectrum Guitar" refers to pick-style guitar, as opposed to finger-style.
The fact that there is also something called a "plectrum banjo" has nothing to do with the title of the book.
I'm not sure I've ever actually seen a plectrum guitar in person - tenor guitar, sure - not plectrum. I don't think plectrum guitars were common enough to have that much effect. Eddie Lang was already defining chordal jazz guitar in '27 and '28 well before the switch that led a lot of banjo players to get tenor or plectrum guitars. I wouldn't give much credence to the history of using three note chords in rhythm guitar being because of banjos having 4 strings. Also, don't think the guitar chord voicings are similar to the banjo ones either.
Mike - I'll get working on it! Doing a duet would be a great thing to have in our repitoire.
Had a look on Google Books ; will check some of them with the recordings.
Another book of interest is The Great Jazz Guitarists 1 by the late Ivor Mairants.
Jon
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